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              <text>Students of Dr. Calvin Yost Jr's Literature 20 class and any observant chapel-goers have noticed the oblong gold plate on the wall directly beneath the gold organ pipes in the front of Bomberger chapel on which are inscribed the following words: "In Memoriam, Charles Heber Clark, LL.D., 1847-1915."&#13;
The pipes belong to a $5,000 organ installed at the College October, 1916 and used until the present electric organ was bought recently. The pipe organ was donated to the college in memoriam to Mr. Charles Heber Clark, journalist and author, by his widow, Emily K. Clark, of Conshohocken.&#13;
This organ was installed at Ursinus during the fall of 1916 at the same time as the hardwood floors and new seats for the chapel. The dedication ceremonies on October 21 at three o'clock in the afternoon and the organ recital that evening by Ralph Kinder, a well known Philadelphia organist, are very eloquently described in the October 23, 1916 issue of the Weekly. According to this glowing account the organ was "officially and everlastingly dedicated" to Clark by Dr. George Leslie Omwake, president of the College, "amid solemn prayers, fitting speeches and thrilling strains of music from both throat and pipes" in a chapel "filled to overflowing." &#13;
The speaker for this occasion was Dr. Daniel Gregory Mason, a well known composer and writer of critical essays on music, who was head of the Music department of Columbia university at that time. Mrs. Henry Hotz sang at both afternoon and evening sessions. The organist, Ralph Kinder, is not only still living, but he is presenting an organ recital for the Norristown Octave club in the Christ Evangelical and reformed church at Noble and Marshall streets, Norristown, on Wednesday afternoon, March 21, at 2:30 p.m.&#13;
Few students realize that this same Clark is one of the later American humorists with quite a literary reputation to his credit. He was born in Berlin, Maryland in 1847, was employed on the staff of the Philadelphia Inquirer in 1865 and he continued in the profession of newspaperman for the remainder of his life. His literary reputation rests on one book of humorous sketches about life in a suburban town; he signed this book of sketches, Out of the Hurly Burly, with his penname, Max Adeler. Selections from this book are still included in surveys of American literature. Clark also wrote three novels, two volumes of short stories and other rather serious works which tell of life in Maryland and Conshohocken, his "home territory."&#13;
In his later years Clark founded the Manufacturer's club of Philadelphia, advocated higher protective tariffs before the Ways and Means committee in Washington [D.C.] and tried industriously to live down his earlier reputation as a humorist. His picture in an old Ursinus Weekly shows him to be a typical, well-to-do businessman at the turn of the century--complete with short-clipped mustache and high, stiff collar. Thanks to the generosity of the widow of this author Ursinus acquired its first organ.</text>
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                <text>The article talks about the organ that was installed in 1916 by Mrs. Emily K. Clark, the widow of Mr. Charles Heber Clark. She made the purchase and installation of the instrument possible. There is brief discussion about the dedication of the organ to Mr. Clark's memory, and a section outlining that Mr. Clark is the same famous newspaperman for the Philadelphia Inquirer, American humorist, and writer of the time . The article was written because of a plate hanging on the wall under the organ pipes that read, "In Memoriam, Charles Heber Clark, LL.D., 1847-1915"</text>
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                <text>Ursinusiana, Ursinus Weekly, 1950-1951. March 12, 1951, pg. 2.</text>
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              <text>Conly Concert Company Offers Popular Program&#13;
&#13;
PIANIST FEATURES EVENING&#13;
&#13;
An auspicious beginning was made on Thursday eening for the Community Entertainment Course with the appearance of the Conly Concert Company in a varied and popular program. Selections, chiefly vocal and/or a variety familiar to the average American musical audience, comprised a repertoire which did not fail to fulfill the expectation of an evening of worth-while entertainment.&#13;
The always acceptable "Rigoletta" quartette was immediately indicative of the type and quality of the program which followed. This number was given by the mixed quartette composed of Florence Kinnaird, soprano; Marie Stone Langston, contralto; Frank M. Conly, basso; Royal MacLellan, tenor; who, with William s. Thunder, as accompanist and pianist, composed the personnel of the company.&#13;
These singers have been able to form a very effective combination, and their numbers were particularly pleasing, due, in part, to the suitability of particular selections. "Madcap Play," by Whiting; "Romany Life," by Herbert; and a group of shorter quartette numbers were fully appreciated and merited especial commendation.&#13;
William S, thunder, pianist, gave three selections, one of which, "Rondo-Capriccioso," Mendelssohn, had been officially on the program. By special request Mr. Thunder obliged with Rachmaninoff's "Prelude in C." These two piano pieces proved to be the "high lights" of the concert. They were both rendered in brilliant manner, the "Prelude in C" especially, with its theme the beautiful tones of the Moscow cathedral bells, was played with fine skill and expression.&#13;
In the persons of Mr. Conly, basso, and also director of the company, and of Mr. Maclellan, tenor, the management presented two noted singers. In their duet numbers and solo work, including a duet, "Watchmen What of a Night," and vocal numbers from Aida and Faust, they helped greatly in maintaining a uniform and excellent standard of performance. The selection from Gounod's "Faust" was that of one of Mephistopheles' songs and was quite realistic and well executed. &#13;
Responding with an encore to a duet number, Miss Kinnaird and Miss Langston sang the "Barcarolle" from "Tales of Hoffman," an ever acceptable duet for female voices.&#13;
The "Habanera" from "Carmen" by Bizet, contralto, solo, and "Wake Up" and "Carry Me Back to Old Virginny" sung by Miss Kinniard, were other numbers of equal interest.</text>
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                <text>Musical Program Begins Season's Entertainment</text>
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                <text>Ursinusiana, The Ursinus Weekly, 1923-1924, October 15, 1923, pg 1.</text>
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                <text>Ursinus College Catalogue, 1883-1893</text>
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              <text>Bomberger Hall has taken on a slightly different appearance. The orange bell tower, which is a Collegeville landmark, was removed this week for safety precautions. A check by the maintenance department over the summer revealed a deterioration in the structure of the tower. The weather has caused a general rotting of the wood and a loosening of nails. There was a good possibility that tiles could work free or the entire structure could come crashing down. Lloyd Kershner of Norristown was called in to remove the tower. At the present time the college does not have the finances to replace it.</text>
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                <text>Weather and age have compromised the structure of Bomberger Tower. For safety reasons bits and pieces of it were removed, but nothing was rebuilt yet because of a lack of funds. </text>
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                <text>Ursinusiana, The Grizzly, 1978-1979, October 27, 1978, pg 1.</text>
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